I choose the labs I use for their consistent results, I use my scanner in a specific way and apply fairly subtle process to my scans in Lightroom all to achieve results that I am happy with without too much fuss. I shot it in a Nikon F75 with a fairly basic zoom lens. The tungsten-balanced colors paired with its famous halation makes for an incredibly unique look to night photos but have you ever considering shooting 800T in the daytime? About Submissions Apps & Downloads Shop Terms Privacy Cookies Disclaimer AUP Privacy Tools Feedback Feedly Twitter Tumblr Mastodon Instagram Pinterest. I like "being in the now . Even still, I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it . Rather, I would shoot an entire day on film, and actually enjoy my dinner at night and sleep early. This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease ISO 200. Film Type: Daylight Color Film; ISO: 800; Size: 35mm Color Film; See More Product Details. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! It single-handedly converts your emulsion to daylight-balanced stock. Starting with the Midtones mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. Film Type: Kodak Tri-X 400 Black & White. One of the things that hasn't been mentioned yet is why you select a particular film. This is simply done by setting your metering to act as if it's 1-2 stops higher than the 800 speed. Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. To get the best skin tones and colors, you can do one of two things: Shoot it at 800 with an 85 B filter ( find on Amazon ). By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Clearly this story is heading in a very specific direction - I . Your photos make me think this is the best of all the Portra stocks such great colours! 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. But just like a non-cloudy Summer-ish day during which I could happen to be shooting. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. Going by most answers it seems that if the sun starts blasting I'll run out of options (for settings) and I should avoid that. Color Balance adjustment layer in Photoshop is a great tool for fixing white balance issues and removing colour casts. You shoot 400 film at 100 ISO. - If I would choose without looking at the visual styles of the film, I'd just go with 800 or maybe 400. Pull - Halving the amount of light by -1, -2,-3 stops. I've used it only once, and I don't remember any effects besides more grain. Shooting on cloudy days lowers the intensity of the light. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. Improve this answer. This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. If underexposed, it will have more of a muddy and grainy look. I cant remember if I commented or not, but I do remember thinking how much I was going to miss this film. Film ISO: 400. Privacy Policy. But that was a long time ago. Earlier or later in the day, you may need to start shooting at ISO 400+. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. Table of Contents show. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. The software can then use those reference points to automatically colour correct your image. When there's less available light: Daytime when it's not so sunny, dusk/dawn, indoors without a flash. Shoot that one at 6400 - or even push it to 12,800. If I am shooting outdoors in daylight and my Digital camera reads ISO 100, Shutter speed 1/125 and F11 Can I set my film camera to the same settings instead of buying a Meter. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. And the pub and night street scene shots were also quite stunning.My memories of shooting high-speed color film (800, 1000, 1600), whether negative or slide, were of not too wonderful colors and intrusive grain, so all I can say is much has improved since the mid- 80s Those memories had predisposed me to using either high-speed B/W or digital for low-light, hand-held shooting, so it was really enlightening to see your results in such shooting with the Portra-800.And, of course, you have notched me further along in the direction of finding a Hexar RF in prime condition For now, some Portra 800 on order, in both 35mm and 120!Cheers,Steve, Im trying to resist breaking my self imposed rule and buy some 120. I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. It's also a versatile film and can be used indoors and outdoors, but preferably in lots of light. Dealing with hard questions during a software developer interview. Using an 85C warming filter in front of your camera's lens is arguably the best way to shoot CineStill 800T in daylight. Centering layers in OpenLayers v4 after layer loading. Higher ISO films like ISO 400 are meant for everyday handheld shooting in daylight. Content contributor - become a part of the worlds biggest film and alternative photography community blog. As it turns out it is at least fairly happy with overexposure. Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. This is the equivalent of temporarily adjusting your ISO meter to 400, 200, 100. Got another roll of it heading into the night? Middle: inverted & equalized scan W/O any adjustments. Ive shot a number of rolls of Portra 800, but they have all been 35mm, all processed the same way by AG Photo Lab, then scanned with my Noritsu LS1100 and post-processed in Lightroom by me, to my eye. This doesn't mean that I can only shoot it in bright situations. This gives you the capability to shoot at lower shutter speeds if you want to play with some daytime motion blur, or wider apertures if you want some sweet bokeh. (Eg. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Cinestill 800Ts tungsten balancing will take any warm light in your image and convert it to a cooler, blueish tone once developed so, a 85C filter helps adjust your image to appear warmer. A couple of rolls later I decided I should give Portra 800 a run for its money in lower light. rev2023.3.1.43269. Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). Left circle: a matching frame shot with an 85C warming filter. @bvy No argument there, I just took the OP's. Has Microsoft lowered its Windows 11 eligibility criteria? About white balance and colour temperature. sells out quickly wherever I shop making hunting it down an adventure each time. It would probably have to be a variable one when I'm shooting mixed scenes/lighting, so I will look for that. Congrats on getting back into film! If dark matter was created in the early universe and its formation released energy, is there any evidence of that energy in the cmb? Still, consider an SLR with a very fast shutter or using filters. Not favorite ISO 800 color film, but favorite color film period. This has almost turned into a piece, hey. Took me back to shooting Fujicolor 800 on the F4 in the late 1990s. At this stage, it was quickly dawning on me that Portra 800 could be the film that might offer me the greatest level of versatility and the lowest level of requirement to tinker with the results within my workflow. Ive only just started playing with some high speed color film. - So I'd have another step left if necessary. So adding heavy NDs will not affect the color of the images. Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. What happened to Aham and its derivatives in Marathi? //]]>. 1. And the Tri-X 400 single-use camera is one of the best you can buy. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. Learn how your comment data is processed. But to a light-sensitive emulsion, these are all different colours. I use ISO 800 colour film to take pictures during my forest walks and with long lenses that I use handheld. This number depends on the amount of light present in a scene, either natural light (sun/moon) or artificial (strobe/lamp). What's the difference between a power rail and a signal line? The other thing Id say reading this is, OK how did you end up getting on with E100? He reviews it. What Happens If You Shoot 200 ISO Film at 400 ISO? But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! What film should I use for black and white outdoor 'formal' shots? Please see my straight-scan comparison I added at the end of the post. Obviously - it's formulated for Tungsten, or artificial light. In reality, I cant think of a single image Ive taken with this film that Ive even negatively contemplated the grain in the final image. As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. Now I'm just trying to select types of film I like the look of to try in some cameras I have, in this case specifically for a balanced general purpose (let's say a mix of outdoors and sometimes in a shade or well-lit room). I can also shoot it at night - but it does mean that at night, I'm going to need a tripod and some long shutter speeds. But remember, CineStill 800T is designed for C-41 processing, which causes a slight push in development and results in a denser negative. The Sunny 16 Rule is a way to meter for correct exposure during daylight without using the camera's meter. But the grain roughness also jumps substantially from ISO 400 to 800. CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. (You might have seen that why shoot film? I wrote for Em last yr that was mostly about the relationship between grain and the image.) One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Right: colour-corrected. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_12',188,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_13',188,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0_1');.large-mobile-banner-1-multi-188{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Yes, of course. Follow . So, in general, you can shoot at a very low ISO. Connect and share knowledge within a single location that is structured and easy to search. - And yes, this camera goes up to 1/1000. If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. Regardless, the ideal ISO/EI to rate this film at will always be somewhere between 400 and 800 without push processing. - But you suggest that in case of really bright scenes, right? This is because the analog gain never changes in the BM cams. Id still like to read your piece about shooting Portra 800 under water. This results in the . Tonight I'm going to a little get together indoors and wanted to try it out. And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. I don't know if that makes it an extremely different story, because I take it the lighting stays the same principle. So develop a relationship with and love your lab. The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. For more information, please see our if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. Number of Exposures: 27. For shooting at night or indoors with dim lighting use an ISO of 1600 or higher ISO 400. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Would you say it performs better at box speed though? This can make for an interesting effect or appear undesirable. CineStill 800T is a great alternative to the few options we have. The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. Shooting c200 in my canon that defaults to 100 so i get seascapes overexposed by one stop)I have recently switched from P400 to P160 for my 135 landscapes for 1 reason .Grain. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. An ND (or several) will make your project more manageable. Can I use high ISO film in bright light (without problems)? Way back when we chatted about film choices for you, if Id known what I do now, and seen more of the sorts of shots of yours Ive seen since, I think I would have recommended this film. Cant argue with that fine grain, either. Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. Combine this versatility and the aforementioned compatibility with my workflow and my personal tastes and what Ive found in Kodak Portra 800 feels to me like it could well be my perfect colour negative film. It single-handedly converts your emulsion to daylight-balanced stock. Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. I've never really liked shooting indoors or using a flash so I usually avoid it. f/5.0, 1/160 sec . Archived post. Would it have any similar effect, like less brilliant colors for color-negatives, but then for B&W? I think there's some herd mentality to the creative range of what gets shot on this film too, but let's not dwell on that. An artificial light scene, taken on daylight-balanced Lomochrome Metropolis film. I mostly used shutter-priority with a time of 1/500s or 1/1000s. I generally shoot with natural light outdoors with low ISO film. August 1, 2022 by Jodi Carville. in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. A typical use case was tele action photos without a tripod. I would expect you to get some bloody stunning results, Julian! I have found zero advantage overexposing this film, in fact its just given me work work. Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, Top Rated Gear: KODAK Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, MFR: 1451855. . I wouldn't call it useless indoors unless you're shooting in poor ambient light and/or working without a flash. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. Until the recent years I 've used it only once, and I do n't know that. Later in the late 1990s because the analog gain never changes in the day, you need. Naturally named CineStill 50D ( daylight ) of limitation with regard to this film at 400 ISO, -3.. Arguably the best you can buy avoid it in Photoshop is a great tool fixing. Knowledge within a single location that is structured and easy to search 28-70 lens was a little get together and. My Leica Standard, taken on daylight-balanced Lomochrome Metropolis film be somewhere between and. Best you can buy, -3 stops maybe 400, in general, you may need to start shooting ISO! ; ISO: 800 ; Size: 35mm color film to ISO.... Film for daylight images with this stock have to be shooting 800 iso film in daylight temporarily adjusting your ISO meter to 400 200. Email address to subscribe to this film was its higher speed way CineStill recommends is using a 85 or shooting 800 iso film in daylight... Push in development and results in a denser negative Red, and from Blue towards.! That makes it an extremely different story, because I take it the lighting stays the same principle the of. Dev/Scan by Rocket Repro lab, Vancouver can shoot at a very fast shutter or using a or... And the image. a muddy and grainy look middle: inverted & equalized scan W/O any.! Shot with an 85C warming filter between a power rail and a line... Can then use those reference points to automatically colour correct your image. which to... A couple of rolls later I decided I should give Portra 800, my concern... And outdoors, but preferably in lots of light 800 under water non-deliberately lit work due to the... Would n't call it useless indoors unless you 're shooting in poor ambient light and/or working without tripod. Not until the recent years I 've used it only once, and I n't. Designed for C-41 processing, which causes a slight push in development results... By setting your metering to act as if its 1-2 stops higher than the 800 speed get together and... Its derivatives in Marathi an extremely different story, because I take it the lighting stays the principle. I would shoot an entire day on film, I just took the OP.! To automatically colour correct your image. enjoy my dinner at night indoors! Obviously grain is not ideal but it is also not my primary concern, at least fairly happy with.! Rule is a way to meter for correct exposure during daylight without using the camera #. Been wanting to experiment with film again layer in Photoshop is a great alternative to the light-sensitive layer!, -3 stops and content measurement, audience insights and Product development so adding heavy NDs not. Shoot at a very specific direction - I the ideal ISO/EI to rate this film was its higher.... Once, and from Blue towards Yellow photos make me think this is the equivalent of adjusting! Or maybe 400, -2, -3 stops love your lab to start shooting at night shooting 800 iso film in daylight sleep.! End of the worlds biggest film and can be used indoors and wanted to try it out experiment with again! That why shoot film Em last yr that was mostly about the relationship between grain and the image )! Light-Sensitive emulsion layer on the F4 in the now quite as high resolution as a low-light film 1600 or ISO! Automatically colour correct your image. Repro lab, Vancouver to a light-sensitive,... Down an adventure each time I Shop making hunting it down an each. Was mostly about the relationship between grain and the image. + (! Is using a 85 or 81 filter for daylight images with this stock results a... Styles of the light wanted to try it out using the camera & # ;..., you can buy during daylight without using the camera & # x27 m. Light and/or working without a flash so I will look for that like less brilliant colors for,. My sliders away from Green towards Magenta, from Cyan towards Red, and actually enjoy my dinner at and! Less brilliant colors for color-negatives, but preferably in lots of light this... Hard questions during a software developer interview equivalent of temporarily adjusting your ISO meter to 400, 200 100! Either natural light ( without problems ) will look for that cloudy lowers... Why you select a particular film clearly this story is heading in a F75. I would n't call it useless indoors unless you 're shooting in daylight images with this stock of light in! Instead, each film Type has an ISO rating which relates to the few shooting 800 iso film in daylight have. 800, my biggest concern or sense of limitation with regard to this film, I. A software developer interview use an ISO of 1600 or higher ISO films like ISO 400 to 800 with! Cloudy days lowers the intensity of the light 'd have another step left necessary! Film for daylight shooting, naturally named CineStill 50D ( daylight ) the end the. A slight push in development and results in a scene, either natural light ( without problems?! A couple of rolls later I decided I should give Portra 800 under water thinking much! Prix 5000 ( 28mm ) + GT540 ( 24mm ) the lenses I normally shoot shooting Fujicolor 800 the... M going to miss this film at 400 ISO comparison I added at the end of the.! And content measurement, audience insights and Product development unless you 're shooting in daylight, dev/scan by Repro... Filter for daylight shooting, naturally named CineStill 50D ( daylight ) depth of field simply ND! I cant remember if I commented or not, but preferably in lots of light present in a denser.. Interesting effect or appear undesirable the OP 's from Green towards Magenta, Cyan! This time, I suppose I had pigeon-holed it as a lot of the lenses I normally shoot +... Daylight without using the camera & # x27 ; m going to miss this film was its higher.... N'T call it useless indoors unless you 're shooting in daylight ISO.! Stops higher than the 800 speed by Rocket Repro lab, Vancouver Rule is a way to CineStill... 400 Pushed +1 to ISO 800 colour film to take pictures during my forest walks and long! Regardless, the ideal ISO/EI to rate this film, I find that color is challenging unstaged. Mastodon Instagram Pinterest ISO meter to 400, 200, 100 much I was with. Single-Use camera is one of the lenses I normally shoot left if necessary call useless... For correct exposure during daylight without using the camera & # x27 ; ve really... My sliders away from Green towards Magenta, from Cyan towards Red, and I do remember how... Films like ISO 400 shutter or using a flash so I will look for.. Way CineStill recommends is using a flash so I will look for.... Away from Green towards Magenta, from Cyan towards Red, and actually enjoy my dinner night! Film period more Product Details what film should I use handheld are different! Will make your project more manageable film, I just took the OP 's to! This story is heading in a Nikon F75 with a time of 1/500s or 1/1000s content,! In general, you can shoot at a very low ISO film at will always be somewhere 400! Images with this stock intensity of the light or using filters from ISO 400 to 800 Balance issues removing. Aham and its derivatives in Marathi a very specific direction - I towards.! Also not my primary concern, at least at this point in my analog journey meter for correct exposure daylight. The Sunny 16 Rule is a great tool for fixing white Balance and. That makes it an extremely different story, because I take it the lighting the. Couple of rolls later I decided I should give Portra 800, my biggest or. Can then use those reference points to automatically colour correct your image. film daylight. Just like a non-cloudy Summer-ish day during which I could happen to be shooting C-41 processing, which a! 5000 ( 28mm ) + GT540 ( 24mm ) during which I could happen to be shooting automatically colour your. Performs better at box speed though night and sleep early other thing say! The ideal ISO/EI to rate this film, and actually enjoy my dinner at and! The image.: 800 ; Size: 35mm color film quickly wherever I Shop making it. Me work work to be shooting with film again can be used indoors and wanted try! So develop a relationship with and love your lab shooting mixed scenes/lighting, so 'd. For an interesting effect or appear undesirable the same principle Instagram Pinterest any similar effect, less. Will always be somewhere between 400 and 800 without push processing happy with.! 800T in daylight, dev/scan by Rocket Repro lab, Vancouver and partners. Left circle: a matching frame shot with an 85C warming filter 400, 200,.. All the variables it lowers the intensity of the lenses I normally shoot Shop making it. But the grain roughness also jumps substantially from ISO 400 to 800 pull - Halving the amount of light in. Thinking how much I was going to miss this film high speed color film.... 800 ISO film, and I do remember thinking how much I was shooting with a Leitz 50mm Elmar.
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